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 | The Wagner Journal is a periodical that seeks to examine Wagner and his works from a variety of perspectives – musicological, historical, literary, philosophical and political – and to illuminate the unique appeal of this endlessly fascinating composer. The journal aims to bring the questions surrounding the theory and practice of staging and performing Wagner to a wider audience, in that way furthering our understanding of his operas as theatre. In addition to feature articles, reviews of live performances, books, CDs and DVDs, The Wagner Journal periodically offers new translations of Wagner's prose works, many of which are available only in William Ashton Ellis's notoriously idiosyncratic renderings. The Wagner Journal appears three times a year (March, July and November) and is published both in print form and online. Individual articles are also available for downloading. The journal is published and distributed independently. For a free introductory (electronic) copy, e-mail thewagnerjournal@btinternet.com. Online debate on Wagner and Anti-semitism. Two regular contributors to The Wagner Journal – Barry Emslie and and Mark Berry – debate the thorny question of anti-semitism in relation to Wagner's music dramas. Follow the debate here. | |||||
Götterdämmerung, Act III, in the production by Pierre Audi for De Nederlandse Opera, 1999 | ||||||
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| Editor and editorial board The editor, Barry Millington, is the author/editor of seven books on Wagner, including The Wagner Compendium; he also wrote the entries on Wagner and his operas for both the New Grove Dictionary of Music and Musicians and the New Grove Dictionary of Opera. With Stewart Spencer he has published Selected Letters of Richard Wagner, Wagner's 'Ring of the Nibelung': A Companion and Wagner in Performance. | | ||||||||
| The editorial board consists of a dozen of the most distinguished Wagner scholars from the international community, embracing a wide range of disciplines: | | ||||||||
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| Website sponsored by the Wagner Society of Washington DCX | | ||||||||
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