Code | Author | Title |
48001 | John Warner | ‘Es klang so alt, und war doch so neu‘: Wagner‘s Greatest Myth: Musical Historicism in Die Meistersinger von Nürnberg |
48002 | Jeremy Coleman | ‘In ein fernes Land‘: The Politics of Translation in Wagner‘s Arrangement of Gluck‘s Iphigénie en Aulide |
48003 | Roger Allen | ‘Das, was eigentlich Musik‘: Richard Wagner‘s reception of Beethoven‘s Piano Sonata No. 28, Op. 101 |
48004 | Michael Fuller | Semper Not Fidelis [review of Dresden Tannhäuser and Holländer] |
48005 | Mark Berry | Flagging Unity [review of Berlin Meistersinger and Rienzi] |
48006 | Michael Fuller | Love Actually [reviews of Amsterdam Tannhäuser and Berlin Parsifal] |
48007 | Chris Walton | Not Richard and Famous [review of Michael Hofmeister‘s Alexander Ritter] |
48008 | Barry Millington | Looking for Trouble [review of Michael P. Steinberg‘s The Trouble with Wagner] |
48009 | Simon Williams | Realism and its Discontents [review of Naomi Matsumoto, ed.: Staging Verdi and Wagner] |