Code | Author | Title |
33001 | Malcolm Miller | Spinning the Yarn: Intertextuality in Wagner's Use and Reuse of his Songs in his Operas |
33002 | Hilda Meldrum Brown | Richard Wagner and the 'Zurich Writings' 1849–51: From Revolution to Ring |
33003 | Joachim Köhler | Wagner's Acquittal [in which Joachim Köhler retracts his claim that Wagner was a forerunner of the Holocaust] |
33004 | Patrick Carnegy | Reckoning up the Ring: A Mathematician's Diary of Bayreuth 1876 [discussing the journal kept by Alfred Pringsheim, father-in-law of Thomas Mann, on his 1876 visit to Bayreuth] |
33005 | Joseph Horowitz | Remembering Artur Bodanzky [Bodanzky and the golden age of Wagner at the Met] |
33006 | Mark Berry | Easter Offerings [review of Tannhäuser and Parsifal in Berlin] |
33007 | Michael Fuller | Riveting theatre – but who is redeeming whom? [review of Copenhagen Der fliegende Holländer] |
33008 | Mark Berry | From Magdeburg to Leipzig, via Palermo [review of Leipzig Das Liebesverbot] |
33009 | Matthew Rye | Left in the Dark [DVD review of Guy Cassiers' Milan Ring] |
33010 | Barry Millington | Healing the Wounds [DVD review of Met Parsifal with Jonas Kaufmann] |
33011 | Tash Siddiqui | Good Material, Bad Science and Ugly Melody [review of David Trippett's Wagner's Melodies] |
33012 | Barry Millington | Settling Scores [review of Eva Rieger's biography of Friedelind Wagner] |
33013 | David Conway | Scoring of Points [review of Na'ama Sheffi's The Ring of Myths] |
33014 | Chris Walton | The Bayreuth Wag [review of Joachim Köhler's Der lachende Wagner] |
