Code | Author | Title |
32001 | Heath Lees | Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Music Trio [on the visits of Judith Gautier and friends to the Wagners in 1869/70] |
32002 | Peter Bloom | Tracking Träume: The Sources and Sounds of Wagner’s Wesendonck Lied [on the interlocking of the Wesendonck Lieder and Tristan und Isolde] |
32003 | David Breckbill | Wagner Tenors and the Quest for the ‘Ideal’ |
32004 | Tash Siddiqui | Strange and Forbidden Fruits: A report on the conference at Leeds University by Tash Siddiqui |
32005 | Tash Siddiqui | Fifty Shades of Grey [review of Covent Garden Parsifal] |
32006 | Michael Ewans | Wagner and the Victorians [review of Melbourne Ring] |
32007 | Katherine Syer | Opening up the Grail [review of Chicago Parsifal] |
32008 | Graeme Feggetter | Out to Shock [review of Jan Fabre’s Tragedy of a Friendship] |
32009 | Barry Emslie | The Plebs Rise up [review of Jorge Lavelli’s Rienzi in Toulouse] |
32010 | Arnold Whittall | Perfection in Imperfection? [review of new study by Martin Geck] |
32011 | Barry Millington | A Doctor Writes [reviews of books by Paul Dawson-Bowling and Raymond Furness] |
32012 | Neil Howlett | Wagner and More [review of documentary volume devoted to Walter Widdop] |
32013 | Mike Ashman | Phantom of the Opéra [reviews of Wagner’s Fliegender Holländer andDietsch’s Le Vaisseau fantôme] |
32014 | David Breckbill | Wagner with a Russian Accent [review of Gergiev’s Das Rheingold] |
32015 | Matthew Rye | Quarts into Pint Pots [review of Wagnerian piano arrangements] |
