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Current issue The March 2013 issue (vol.7, no.1), now available, contains the following feature articles: • 'Heroic Gestures and Family Values in Wagner's Ring' by Arnold Whittall • 'The Kiss of the Dragon-slayer' by Barry Emslie • 'Wieland Wagner's Intellectual Path' by Ingrid Kapsamer plus reviews of: Keith Warner's Ring at Covent Garden DVD recordings of Lohengrin by Wolfgang Weber in Vienna and Hans Neuenfels at Bayreuth Marek Janowski's new recording of Tristan und Isolde and his earlier Ring, plus Ring highlights and Liszt Wagner paraphrases from Asher Fisch Gary Kahn's The Power of the Ring reviewed by David Trippett, David Conway's Jewry in Music reviewed by Jonas Karlsson, Joseph Horowitz's Moral Fire: Music Portraits from America's Fin de Siècle reviewed by Alexander H. Shapiro and Eva Rieger's biography of Friedelind Wagner reviewed by Tim Blanning | ||||||
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The memorialised gods look down on Hagen (John Tomlinson) with the Rubik cube Tarnhelm in the Gibichung Hall of Keith Warner's Covent Garden production of the Ring. Photo Clive Barda | ||||||
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The scene on the Festival Meadow in David McVicar's Glyndebourne production of Die Meistersinger. Photo Alastair Muir | ||||||
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The primitivist, totemic abstract forms of Henry Moore's sculptures were recalled in Wieland Wagner's sets for Tristan und Isolde (Act III, Scene 1, Bayreuth Festival, 1963) | ||||||
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