Code | Author | Title |
42001 | Ivan Ward | Parsifal as Castration Drama |
42002 | Tom DeRose | Wagner, Freud and Nietzsche in Berlin |
42003 | Stephen Gee | Wagner’s Parsifal: A Hymn of Purity and Danger |
42004 | Sigmund Freud | Totem and Taboo (extract) |
42005 | Eva Rieger | Kundry’s Kiss and the Fear of Female Desire: a Gender Perspective |
42006 | Mark Berry | Interpreting Wagner’s Dreams: Staging Parsifal in the Twenty-first Century |
42007 | Patrick Carnegy | Syberberg’s Parsifal and the Soul of Germany |
42008 | Barry Millington | Club Rules Apply [review of the Covent Garden Meistersinger] |
42009 | Barry Millington | Houston, We have a Problem [review of the Karlsruhe Wahnfried] |
42010 | Michael Fuller | Questions, Questions [review of Berlin and Paris Lohengrins] |
42011 | Matthew Rye | Tristan und Tristan [review of Gelsenkirchen and Essen Tristans] |
42012 | Barry Emslie | Not Taking it Seriously [DVD review of Kasper Holten's Das Liebesverbot] |
42013 | Tom DeRose | Seeing and Believing [reviews of Tom Artin's What Parsifal Saw and John Mastrogiovanni's Parsifal: The Will and Redemption] |
42014 | Arnold Whittall | Wagnerian Secrets [reviews of Karol Berger's Beyond Reason: Wagner contra Nietzsche and David Huckvale's Music for the Superman: Nietzsche and the Great Composers] |
42015 | Niall Hoskin | Putting on an Act [review of Simon Callow's Being Wagner] |
42016 | Fred Bridgham | A Role Model for Senta? [review of Grit Schwarzkopf's Kätchen und Senta: Partnerfindung als Traumspiel in Heinrich von Kleists 'Das Kätchen von Heilbronn' und in Richard Wagners 'Der fliegende Holländer'] |
