Code | Author | Title |
46001 | Barry Millington | Manifestations of the Gesamtkunstwerk in Fin-de-Siècle Vienna |
46002 | Deborah Calland and Barry Millington | ‘‘Lonely Walk‘‘: an Unpublished Song by Alma Schindler-Mahler |
46003 | Diane V. Silverthorne | Wagner’s Tristan und Isolde, Arranged Mahler, Roller: The Will Made Visible |
46004 | Eva Rieger | How a Women’s Network Kept Wagner’s Tradition Alive |
46005 | Nicholas Vazsonyi | Warning: Consuming Wagner Can be Hazardous to your Health: Tristan und Isolde and Death in Venice |
46006 | Tash Siddiqui | Guy and Doll, Isolde ohne Tristan and a Silent Soprano: Report on the ‘‘Wagner 1900‘‘ Conference] |
46007 | Barry Millington | Asking the Right Questions [review of Bayreuth Lohengrin] |
46008 | Tash Siddiqui | The Third Man Comes to Brabant [review of Covent Garden Lohengrin] |
46009 | Michael Fuller | Cult Fiction [review of Paris Parsifal] |
46010 | Christopher Wintle | The Sound of Silence [review of Longborough Holländer] |
46011 | Matthew Rye | Eyes Wide Shut [reviews of Parsifal in Munich and Mannheim, Tristan in Kassel, Rienzi in Innsbruck] |
46012 | Niall Hoskin | All Hail to the Hallé Ring [review of the Hallé Rheingold CD] |
46013 | Simon Trezise | A remarkable Early Kundry [review of Michael Letchford’s Softly Awakes My Heart: Celebrating the Majestic Career of Louise Kirkby Lunn] |
